Tracklist
01
Darkness
02
Dreams Of Lands Unseen
03
Presence Of The Past
04
Prefab (feat. Combichrist)
05
What Buildings Dream Of
06
I Am In Hell
07
Between No Longer And Not Yet
08
Harmony Manufactured (feat. Hiraes)
09
Nadir
Description
On their new album *Monumental*--set for release on October 23, 2026, via Napalm Records--IGNEA embrace nostalgia. Following *Dreams of Lands Unseen* (2023), the Ukrainian quartet navigates unique facets of the past across nine new songs: from the grandeur and ambition of Cold War-era dreams of space exploration to the melancholy of urban decay and forgotten modernist structures, and finally to the emotional weight of personal and collective memory. All lyrics on *Monumental* were penned by vocalist Helle Bohdanova, while the music was composed by keyboardist Yevhenii Zhytniuk, with contributions from Bohdanova. Mixing and mastering were handled by Grammy-nominated producer Jacob Hansen, renowned for his work with bands such as Delain, Amaranthe, Volbeat, Amon Amarth, Arch Enemy, and Epica. *Monumental* marks IGNEA's second release created during the war in their homeland; recording took place primarily during the winter of 2025/26, amidst freezing temperatures and power outages in Kyiv.
Musically, *Monumental* blends technical riffs with industrial undertones, atmospheric interludes, grand choral arrangements, and melodic passages to evoke waves of nostalgia where darkness, reflection, and awe converge. Visually and conceptually, IGNEA draw inspiration from retro-futurism, modernist and monumental architecture, and industrial design, constructing a world where sound, imagery, and memory merge into one. The album stands as an ode to the past--a meditation on lost or unrealized visions of the future--while celebrating the enduring beauty hidden beneath the surface. The opening track, "Darkness," lays the emotional foundation and builds the sonic framework of the nostalgia to which we retreat when life becomes overwhelming--a realm where the past always seems gentler than it did when it was the present. The song oscillates between melancholic, eerie verses and a hopeful chorus, culminating in a cathartic moment featuring a choir and blast beats. "Dreams of Lands Unseen" explores Cold War-era space exploration--a time when humanity pinned its greatest hopes on the cosmos. March-like melodies echo the era's propaganda-fueled optimism, while shimmering keyboard and theremin solos evoke a distinctive 1980s atmosphere. Next comes "Presence of the Past," a track IGNEA dedicates to urban decadence--that bittersweet feeling inherent to life in a city that is constantly shifting, decaying, and being rebuilt, simultaneously generating both oblivion and memory.
"Prefab" serves as a rave soundtrack for metalheads; it is a stomping anthem featuring industrial icon Andy LaPlegua (Combichrist), whose unmistakable voice perfectly complements the track's atmosphere and theme. The album's second guest appearance arrives with "Harmony Manufactured," where Helle Bohdanova shares the microphone with Britta Görtz of HIRAES. Rapid riffs and robotic growls establish a mechanical pulse, while carefully crafted arrangements sonically depict the precision of engineering and design. Through both sound and lyrics, the track explores how emotion, beauty, and enduring memory can still reside within technical perfection. On "What Buildings Dream of," IGNEA slow the pace to craft a metal ballad with an uplifting chorus; subtle electronic beats provide a heartbeat for the raw structure of monumental architecture. It is a tribute to the beauty, fragility, and quiet inner lives of the buildings that shape our landscapes and collective imagination. A particularly unexpected moment is "I am in Hell," a brief interlude styled like a retro-futuristic TV commercial from the 1960s. With "Between No Longer and Not Yet," IGNEA delve even deeper into the past: the track is a doom metal piece infused with dark jazz elements, capturing the sensation of putting a vinyl record on the turntable. Through the sound, time seems to curve back on itself, with every rotation of the needle unfolding memories--a reflection of the beauty and sorrow inherent in nostalgia. The orchestral outro, "Nadir," brings the album to a monumental close, leaving the listener in a state of longing, hope, and quiet melancholy.
On *Monumental*, IGNEA take their audience on a wistful journey that embraces nostalgia in all its highs and lows. A gentle sadness permeates both the music and the lyrics--after all, alongside beautiful moments, nostalgia also brings the realization that those times will never return...
Source: Napalm Records Website
Musically, *Monumental* blends technical riffs with industrial undertones, atmospheric interludes, grand choral arrangements, and melodic passages to evoke waves of nostalgia where darkness, reflection, and awe converge. Visually and conceptually, IGNEA draw inspiration from retro-futurism, modernist and monumental architecture, and industrial design, constructing a world where sound, imagery, and memory merge into one. The album stands as an ode to the past--a meditation on lost or unrealized visions of the future--while celebrating the enduring beauty hidden beneath the surface. The opening track, "Darkness," lays the emotional foundation and builds the sonic framework of the nostalgia to which we retreat when life becomes overwhelming--a realm where the past always seems gentler than it did when it was the present. The song oscillates between melancholic, eerie verses and a hopeful chorus, culminating in a cathartic moment featuring a choir and blast beats. "Dreams of Lands Unseen" explores Cold War-era space exploration--a time when humanity pinned its greatest hopes on the cosmos. March-like melodies echo the era's propaganda-fueled optimism, while shimmering keyboard and theremin solos evoke a distinctive 1980s atmosphere. Next comes "Presence of the Past," a track IGNEA dedicates to urban decadence--that bittersweet feeling inherent to life in a city that is constantly shifting, decaying, and being rebuilt, simultaneously generating both oblivion and memory.
"Prefab" serves as a rave soundtrack for metalheads; it is a stomping anthem featuring industrial icon Andy LaPlegua (Combichrist), whose unmistakable voice perfectly complements the track's atmosphere and theme. The album's second guest appearance arrives with "Harmony Manufactured," where Helle Bohdanova shares the microphone with Britta Görtz of HIRAES. Rapid riffs and robotic growls establish a mechanical pulse, while carefully crafted arrangements sonically depict the precision of engineering and design. Through both sound and lyrics, the track explores how emotion, beauty, and enduring memory can still reside within technical perfection. On "What Buildings Dream of," IGNEA slow the pace to craft a metal ballad with an uplifting chorus; subtle electronic beats provide a heartbeat for the raw structure of monumental architecture. It is a tribute to the beauty, fragility, and quiet inner lives of the buildings that shape our landscapes and collective imagination. A particularly unexpected moment is "I am in Hell," a brief interlude styled like a retro-futuristic TV commercial from the 1960s. With "Between No Longer and Not Yet," IGNEA delve even deeper into the past: the track is a doom metal piece infused with dark jazz elements, capturing the sensation of putting a vinyl record on the turntable. Through the sound, time seems to curve back on itself, with every rotation of the needle unfolding memories--a reflection of the beauty and sorrow inherent in nostalgia. The orchestral outro, "Nadir," brings the album to a monumental close, leaving the listener in a state of longing, hope, and quiet melancholy.
On *Monumental*, IGNEA take their audience on a wistful journey that embraces nostalgia in all its highs and lows. A gentle sadness permeates both the music and the lyrics--after all, alongside beautiful moments, nostalgia also brings the realization that those times will never return...
Source: Napalm Records Website
The Power Of Rock
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