2016, When the opening track, ,,Door To Door Cannibals" crashes in with that typical grundgy crunching guitar, you know this is going to be another great Chevelle album. Pete's vocals have never been better, but what really stands out in THE NORTH CORRIDOR are the infectious and groovy basslines, which permeate throughout the album and create a sound you can really immerse yourself into. This is especially true on the wickedly unique slow burn ,,Punchline" which shows the band at its best with its atmospheric soundscape of echoing drums and a tribal vibe. ,,Warhol's Showbiz" is another very experimental track that has many Chevelle-esque tendencies but also adds a certain level of thought provoking tonal shifts and soaring guitar work. Pete also uses a lot of heavy/soft transitions with his voice. Think of this album as a two sided coin where the elements of heavy and soft bleed together in one continuous musical experience. ,,Rivers" is the most notable track to display this.
The Power Of Rock
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