2013, This band's latest offering doesn't full abandon the catchy paradigm of rich keyboards and soaring melodic guitar hooks that it has shared in common with Kalmah and Norther, but has definitely modified the formula significantly to allow for a much deeper atmosphere, while still towing the semi-power metal character that the Finnish approach to melodeath has always tended towards. The guitar work is technical, almost to the point of rivaling the Amott brothers' handiwork with Arch Enemy or the various extravaganzas heard out of Children Of Bodom. However, the keyboard presence and the general drive and tempo of the whole album are a bit more restrained, almost to the point of being a slightly more riff happy answer to Tristania or perhaps early Sirenia. SAIVON LAPSI marks the seventh studio album by the Finnish Death Metal band. The album is in the same vein as their previous outing, but darker. This album features romantic lyrics and soft keyboard melodies that show their Gothic Metal influences.